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Julia began her producing career in 2001 when she presented the dance spectacle "Twin Kingdoms" at City Center in New York. Featuring 30 dancers under the direction and choreography of world renowned Neshka Robeva, the show enjoyed sold-out performances and positive press reviews. But "Twin Kingdoms" could only enjoy a limited run as a dance show. Julia Quinn realized that in order to acheive longevity for future productions, she must develop them as Broadway shows.

The wheels for The Cotton Club Musical were set in motion in 2009 when Julia Quinn engaged 7 playwrights to preset treatments based on the 1984 film by Francis F. Coppola. After careful analysis of all suggested story lines, it became clear that an adaptation of the film script is not a desirable course. Instead, Julia Quinn chose to build this musical from the ground up, focusing the story on Owney Madden, an Irish gangster and proprietor of the club. A fully fleshed out story emerged by the summer of 2011. The musical is currently in its second year of development.

The Last Days of Pompeii is a reflections of Julia's life long fascination with Ancient Rome. The story was chosen among several scripts as the most pogniant and dramatic representation of the period. The classic masterpiece of Edward Buwler-Lytton serves as a strong foundation on which additional plot elements were built.

Prior to choosing a full-time career as a Broadway producer, Julia Quinn launched and grew several small and medium sized companies utilizing her background in finance and management.

Julia Quinn attended Brooklyn College and NYU between 1992 and 1996. She was an entrepreneur during her college years and continually since.